A couple of the classes during the Sh'liach K'hilah
program were taught by a cantorial student (who is
very good, by the way, both as a musician and as a
teacher). I mentioned some of this briefly before,
but now I'm going into a little more depth.
Early in one of the classes he asked us to brainstorm
about things to consider when choosing music for a service.
Here's the list we came up with:( Read more... )
He handed out an essay entitled
some
notes on the future of of Jewish sacred music (yay Google!)
by Cantor Benjie-Ellen Schiller. (Aside: we had her as a
visiting cantor one Shabbat several years ago, and she's
great to work with.) Despite its vague title the essay is
good. Excerpt:
Sacred music nurtures meaningful, honest prayer, whether or
not the music we ultimately choose satisfies our artistic
selves. The real test is whether our sacred music satisfies
our spiritual selves, as individuals and as a community.
To me, a successful service offers a healthy combination
of all three moods of prayer to express an array of three
paths toward knowing God.
(Gee, you think there's some debate within the cantorial
community? :-) )
Cantor Schiller describes four types of music (three in this
essay, one added later):
- majestic, expressing awe
- meditation, expressing intimacy
- "meeting" -- coming together as a community (like when
we all sing familiar melodies together)
- memory, instantly taking you to another place and time
As you might expect, it's all about balance and appropriateness,
matching up the music with the goals of the service -- or
rather, that part of the service, because most services
will contain most or all of these types of music. We
expect
Kedusha, the proclamation of God's holiness, to be majestic,
so don't use a wimpy low-key melody there.
We
expect the beginning of the Amidah to be
meditative, so that's not the time to be grandiose.
We
expect everyone to join in on
Adon Olam at the end of the service, so choose an accessible
tune.
Leigh (the instructor) gave us his "10 commandments of
congregational singing", which I enjoyed. (These are
for the congregation, not the cantor.) I haven't
asked for permission to distribute the document, but
here are some highlights:
- Thou shalt sing fearlessly, ignoring the possible wondering
glances of thy neighbors. They would like to sing with you
if they had the nerve and they will sing with joy if you
continue.
- Thou shalt sing reverently, for music is prayer.
- Thou shalt not resist new melodies, for it is written
in the book of Psalms, "Sing unto God a new song".
All food for thought as I prepare to lead music this
Friday. A lot of the music decisions were made several
weeks ago, but my goal was to keep it simple and familiar,
and I did have
some of these instincts already,
so we'll be fine.